Cari Hunter, author of Snowbound, has kindly agreed to answer some questions for this blog.
Cari Hunter, can you introduce yourself in a few words/lines?
I live near Manchester in north-west England with my partner and two cats. I’ve been a paramedic for eleven years and, more recently, an author with Bold Strokes Books. I like hiking, baking, running, writing, catching up on sleep, and frogs – though not necessarily in that order and certainly not at the same time.
As a child and teenager what were the books that made an impression on you?
Growing up, I read voraciously. Sending me to my room as a punishment never worked, as that was where all my books were. Ian Serraillier’s The Silver Sword shaped a lot of my summer holiday playtime, then later I developed a big crush on Nancy Drew. And if anyone knows the twist at the end of The Turbulent Term of Tyke Tyler you’ll understand why that was another one of my favourites.
Who are your favorite authors today and do you think their writings influence your own?
I’m a fan of Jacqueline Carey’s Kushiel series, the first three of which are my regular comfort rereads. More recently, I’ve raced my way through all of Karin Slaughter’s novels. Occasionally her plots are a little shaky, but her character development and story arcs just keep you coming back. She’s also very funny, which is unexpected given the gruesome nature of her themes. Last year, Code Name Verity by Elizabeth Wein stopped me in my tracks and then broke my heart. It’s a long time since a book has done that to me and I’ll recommend it to anyone and everyone till I’m blue in the face. I’m not sure about these authors influencing me, but I’d love to be half as good as them.
Who are your favorite lesbian authors?
I’ve only recently got back into reading ‘LesFic’ – the local lesbian book shop closed its doors a few years ago and I fell out of the habit of keeping up with new releases. Sarah Dreher was my first LesFic experience and remains one of my favourite authors. I love her snappy dialogue, her sense of humour and her supporting characters. There’s a real nostalgia to picking up her books these days, which also adds to their charm.
How many books have you written so far? Have you written anything else?
I’ve had two novels published with BSB – Snowbound and Desolation Point – and my third, Tumbledown, is due out in 2014. I’m currently working on a new story; it’s not contracted at the moment, but I live in hope.
I wrote a whole series of fan fiction for the Terminator TV show (Sarah Connor and I have a long-abiding love affair) plus some shorter pieces for Rizzoli & Isles, which is a crappy show but very fun to fic. I haven’t written any fanfic for a while, but it makes for a nice change of pace so I’ll almost certainly get back to it at some point.
What inspired you to write your first novel?
It’s more “who” than “what”: my partner. She wanted a story for Christmas, so I set about writing Snowbound for her. I never imagined it would turn out to be a novel; it was certainly never conceived as such, which explains its rather unconventional structure. Unfortunately for my partner, once I got the writing bug I went off on a tangent and ended up writing a couple of novels’ worth of Sarah Connor fic while she waited for her Christmas present. I did buy her something in the meantime though – I’m not a total cheapskate.
Would you say that you write lesbian fiction or novels where lesbians are the main characters?
I would say I write lesbian fiction. There are tropes and conventions in the genre that I think Snowbound and Desolation Point make use of. Even though Snowbound wasn’t written for publication, I knew of BSB and LesFic in general and I’d read a lot of online fic, so their influence was there in the background.
Did you know right from the start that you wanted to write this kind of novel?
With Snowbound, I knew what kind of story I wanted to write, but I genuinely wrote it for an audience of one, hence setting it close to home (no research necessary!) and focussing on a medical scenario (not much research necessary). It was only after BSB contracted it that I thought, “Bugger, better go and check some of this stuff out.”
Does it make a difference to be a British and/or a European author?
It definitely makes a difference. Snowbound wears its Englishness on its sleeve. It’s set just down the road from me and it’s chockfull of northern colloquialisms, cups of tea and local foodstuffs. Its police are armed with nothing but batons and a sense of humour, and the plot revolves around that good old-fashioned British obsession: a spell of terrible weather. When I sent it to an American publisher, I was sure it would be rejected for being too damn English, but they wanted it and they kept it exactly as it was, and I love them very much for that.
Desolation Point is a different kettle of fish in that it takes place in the USA, but I knew I wanted to play with the UK/US cultural divide and I had already chosen a mixed pairing for my central characters. While Alex is from Boston, Sarah’s from up here near Manchester, so I could still write a story where someone got to say “bloody hell-fire” and “bollocks”, which suits me just fine.
How did you conceive the plot for Desolation Point?
To be honest, I pinched its main premise from one of my own fics. In my fic, someone runs the lead characters off the road and then spends the night hunting them down. At its most basic level, Desolation Point grew out of that. I had the initial parallel scenes – Alex’s assault and Sarah’s car crash – buzzing around in my head when I was finishing the edits on Snowbound, so I had a good idea of what was going to shape the characters. At first I thought about having a flood trap Sarah and Alex in the park, but I couldn’t make that work, so I sent Sarah up a mountain instead, set the storm against her and then had her stumbling across the main villain, which established the chase element. I had the main beats of the plot sketched out from the beginning, but I’m useless at sticking to a plan, so things remained very fluid throughout.
Did you draw your inspiration for the main characters in Desolation Point from real life? Or did you totally invent them?
I invented them from scratch, but there are odds and sods in the dialogue or descriptions that have come from walks my partner and I have done. We play the “I love my love with an A…” game when we’re knackered and trying to get back home. Sarah talks a lot like me and I too have to drink my tea while it’s hot enough to burn my throat, but otherwise she’s her own character.
In both Snowbound and Desolation Point the setting seems to be an integral part of the story. Could they have been set in another environment? Why did you choose the US as the setting for your second novel?
I regularly walk in the Peak District, which meant I could describe it with confidence in Snowbound. Also, I doubt there are many LesFics set there, so the story has the advantage of novelty in its location as well as in its vernacular dialogue and general Englishness. It was staunchly northern English as well – I’m a proud northerner – and setting it elsewhere would necessarily have diminished that, which would have been a shame.
I have no personal attachment to the North Cascades but, having spent a year working on Desolation Point, I couldn’t envision that being relocated either. The title would have to be changed, for a start, and I’m rubbish with titles. I’ve never been to that particular part of the States, but I did so much research trying to get everything right that I think I could find my way up Desolation Peak blindfolded!
I agonised about Desolation Point’s location before starting it. I didn’t want people to assume I’d chosen America just to broaden my audience (BSB’s readership is primarily American); in fact, I wondered whether I was shooting myself in the foot by not sticking to the English setting from which a lot of Snowbound’s appeal stemmed. Ultimately, though, I needed a couple of things to make the plot in Desolation Point work: one of my lead characters had to be proficient with a gun, and the location had to be expansive enough to get my central pair well and truly lost. I considered the Scottish Highlands and the Peak and Lake Districts over here but they just weren’t remote enough, so I decided to move things across the pond. That also solved the gun problem – as an American ex-police officer, Alex would know her way around a firearm.
Some readers might be a bit put off by the violence displayed in both books. Why did you think it was necessary to include details and descriptions?
Both stories have involved some genuinely nasty characters and I really do believe that if you’re going to have violence in your plot then it should hurt and it should have consequences. I suspect a lot of that stems from my day job, where I see the effects of brutality and trauma on an all-too regular basis. I’ve always tried to write realistically; the women in my novels are not super-humans, just normal people who get caught up in horrific circumstances, and they do things to survive that they’d never imagined themselves doing. If they get hurt, it takes them a while to get up again; and – because I don’t want to write cartoonish, toothless villains either – they do tend to get hurt. I never want to make the violence gratuitous, but nor do I want to shy away from the details or the after-effects. I hate books where a character gets assaulted in one scene and shows no sign of it in the next; anyone who writes like that has never sat opposite an assault victim and listened to them cry or tried to stop them bleeding.
I hope there’s enough humour and lighter moments scattered through the books to counteract their more brutal aspects, though I appreciate that the violence may be too strong for some people’s taste.
Between Snowbound and Desolation Point do you have a favourite character? Which one and why?
Oh, that’s a difficult one! I do have a bit of a soft spot for Sarah. She comes into her own in the latter stages of Desolation Point and she was a real darling to write. Having said that, most of the fun came from having her bounce off Alex, so they sort of come in a pair. Can I have them both? I’m having them both.
How has Desolation Point been welcomed so far?
So far, so good. I’ve had a lot of positive feedback and a fair few people telling me they’re looking forward to the sequel, which is a relief! It’s still early days and I know it’s inevitable that there are folks who won’t like it, possibly for some of the reasons I’ve already mentioned, but the majority of people I’ve heard from seem to have enjoyed the heck out of it.
Are you currently working on a new book? Would you mind telling us a little about it?
I finished Tumbledown, the follow-up to Desolation Point, in the year between Snowbound and Desolation Point’s publication dates. It’s my first shot at an all-out twisty thriller and is earmarked for release in 2014. Until the edits for that come back, I’m working on a new story set in England (in the Peak District, again) which is a sort of thriller-mystery in which the two main characters are long-time friends and occasional lovers. I thought it’d be interesting to explore an established friendship rather than the stereotypical two strangers falling rapidly in love. At the moment, its working title (courtesy of my partner) is Aye Up: It’s a New Story! and I have no idea whether it’ll ever reach publication. I’ve got about another 60,000 words before I start worrying about that!
Thank you Cari for your availability and your time!
NB: Both novels have e-book Kindle editions